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Keywords: #Lorenza Izzo
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Knock Knock
CRITICS OF "Knock Knock"
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Sensacine
Resource

April 05, 2016

The movie sits atop three characters that neither Reeves, de Armas nor Lizzo can give enough personality or strength, making for laughable, cartoonish moments. [Full Review in Spanish]
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Cinema Crazed
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November 19, 2015

Another sub-par effort from director Eli Roth, who finally breaks out of his xenophobia, but sadly for a pretty abysmal thriller.
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Daily Dead
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January 06, 2016

Unlike most of his previous films, Eli Roth subtly goes for the jugular with Knock Knock, building to a finale brimming with surreal tension and a wickedly dark sense of humor that left me both cringing and laughing.
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Reel Film Reviews
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October 08, 2016

...it's ultimately impossible not to wonder what drew Reeves to such misguided, puerile material.
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CinemaDope
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March 04, 2016

Intriguing spin on home-invasion thriller ... Slickly produced, energetically played, especially by Reeves as the good husband who, when home alone, falls prey to kinky temptations.
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Entertainment Weekly
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October 09, 2015

Knock Knock is a pretty flimsy erotic thriller, but thanks to Reeves' oaken obliviousness it's also got a few moments of deliciously trashy fun.
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South China Morning Post
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April 06, 2016

Although Keanu Reeves has never been noted for his subtlety as a thespian, his performance as a captive husband in Knock Knock could easily be bettered by a stationary object like a chair.
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BuzzFeed News
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November 09, 2015

Knock Knock, which is about two women wreaking havoc on a married man, aspires to be titillating. But more than anything, both persistently, persuasively angle to make you angry.
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RogerEbert.com
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October 09, 2015

As a piece of social satire, "Knock Knock" winds up being not just toothless but anticlimactic.
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Globe and Mail
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October 09, 2015

All foreplay and no, well, climax.
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TheWrap
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October 10, 2015

"Director Eli Roth's "Knock Knock," a remake of the 1977 exploitation picture "Death Game," sometimes plays more like a comedy than like the grungy thriller that inspired it, but that's often all to the good."
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New York Magazine/Vulture
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October 11, 2015

The characters are driven by convenience, not behavior, and their actions seem like they've been manhandled into place to make the plot work.
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